Suzi Quatro's recent performance at 75 years old is a testament to her enduring legacy in the music industry. Her signature scream, a defining sound of the glam era, remains as thrilling as ever, even if her physical stature has changed over the years. This review delves into her performance, highlighting both the highs and lows.
Quatro's opening hour is a delightful blend of entertainment and pacing, showcasing her timeless appeal. Her rendition of Neil Young's 'Rockin' in the Free World' is a standout, infusing the song with a sincerity that captivates the audience. However, the second set, which includes a career-spanning segment with the aid of pictures, falls flat. It's a curious choice, akin to watching Alan Partridge deliver a PowerPoint presentation during a rock gig, and it disrupts the flow of the performance.
The highlight of the evening is undoubtedly the back-to-back performances of 'Can the Can' and 'Devil Gate Drive,' which deliver a pure pop rush that resonates with the crowd. The beautiful country sway of 'If You Can't Give Me Love' further enhances the experience. Yet, the show's pacing becomes an issue as Quatro doesn't know when to stop. The encore, featuring 'Sweet Little Rock & Roller' and 'Singing With Angels,' seems to drag on, leaving some audience members departing early. The show could benefit from a few cuts to maintain its momentum and ensure a more satisfying conclusion.
In my opinion, Suzi Quatro's performance is a mixed bag. While her signature scream remains powerful and her opening set is entertaining, the second half of the show feels disjointed. The career-spanning segment, in particular, feels out of place and detracts from the overall experience. Nonetheless, her ability to connect with the audience and deliver iconic songs is undeniable, making this performance a memorable one for those who attended.
